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“You should me alone with me,” she suggest. Be Alone – On this raucous offering, Williams sings of how her and her beau should be alone, together. Interlude: I’m Not Angry Anymore – This interlude is another short ukulele ditty where Williams wavers between being bitter and tooth-rottening sweet.ġ6. (One of Those) Crazy Girls – This cut’s a few acts away from being something out of “Fatal Attraction”: Williams plays the role of a girl that refuses to be broken up with, threatening to break into her ex’s home so that she can “go through your closet so I can smell your skin.” Yikes, right?ġ5. “To people who aren’t kind/And heroes who are blind.”ġ4. Williams moseys down memory lane and sings about how love can hurt all. Hate to See Your Heart Break – This is one of the album’s lone ballads and almost feels like a country song. Their audience likely will say the same.ġ3. “Proof” sores to a big finish with a call and response bridge. kick back in with a rock song where the singer takes her man deep-sea diving, with only love acting as their safety gear. Proof – Just as listeners are nearly cooed to sleep on the prior cut, Hayley and co. “I don’t plan on coming back,” Williams sings nonchalantly and smoothly.ġ2. Interlude: Holiday – A ukulele, bass, and claps are all the instruments heard on this simple, brief cut about maturing from a high school kid to an adult, then enjoying some time off. “Someday you’re going to be the only one that you’ve got,” Williams sings to those that should rely on their own thoughts and not what anklebiters are saying.ġ1. Anklebiters – The hip-hop community refers to naysayers as “Haters,” but Paramore calls them “Anklebiters”-folks who prey on other people’s actions. “And on the drive back to my house, I told ya that, I told ya that I loved ya.”ġ0. “Recount the night that I first met your mother,” Hayley remembers. The second single from “Paramore” is an uptempo love anthem, fit for couples that have been together for a good while through ups and downs. “The salt in my wounds isn’t burning any more than it used to,” Williams sings, suggesting that the lack of new pain is encouraging enough to believe that brighter days are coming. Then the drums kick in, as does a twinkling riff. Last Hope – This one opens faintly with a few synths and guitar strums. It’s a sullen cut, but its frenetic drum and guitar solos are fit for an action sequence in any Michael Bay film.Ĩ. “I will catch fire to let your glory and mercy shine,” Williams sings-ready to sacrifice her happiness for others. Part II – This song’s the sequel to “Let the Flames Begin” from their “Riot” album, opening with the same “What a shame” line.
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Some xylophone taps and choir-like delivery on the bridge make this more than your average rock song.ħ. Ain’t It Fun – “Ain’t it fun living in the real world,” Williams asks sarcastically to a spoiled brat discovering that the world doesn’t revolve around them. “I could be angry, but you’re not worth a fight,” she sings.
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Interlude: Moving On – This 90-second gem is a simple one, featuring acoustic strums on the guitar and a basic drum kick, while Williams coolly kisses off an old flame. It’s not as whimsical as its subject matter, but solid nonetheless.ĥ. Daydreaming – Teetering between mid-tempo and ballad status, this track’s a sweet cut about building a world that matches the ones constructed in fantasies. “I’m not a little girl no more,” she sings after drying her tears and realizing she’s got to drop some old friends to progress as person.Ĥ. Still, some mild irritation is present in Williams’ delivery. Grow Up – This the first cut of the bunch that has more of a fun bounce to it than the anger that propels the two songs prior.
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It recalls their “Misery Business” jam of yore, but is surely a progression on their rebel pop sound with its distorted guitar and tormented verses.ģ. “If there’s a future, we want it now,” Williams demands on this fervent track’s huge chorus. “Been through the ringer a couple times,” Hayley Williams opens, “I came out callous and cruel.” The music, with shredding guitar bits and thumping drums, fits the lyrics perfectly. Fast in My Car – The album opens strong with a rebellious anthem.